Interesting only in showing how tin-eared scriptwriting (by Amos Poe) can make 2008 New York City seem less familiar than 1952 Japan.. Some new directors often opt for minimalism in the hope that less is more. This doesn't work for Amy Redford (Robert's daughter), who transitions from actress to filmmaker with The Guitar.. That the movie is easy on the eyes (Melody's fetching silhouette against those sunset river views) doesn't make it any less bogus.. [A] bizarre art-house equiva lent of The Bu...
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